Author(s): Craig Collie
Using contemporary diaries and letters, mainly translated from Japanese, we follow a group of Nagasaki residents from the early morning of the day of the bombing of Hiroshima to midnight on the day of the second bombing in Nagasaki
In a compelling narrative based on eyewitness accounts, contemporary diaries, letters, and interviews, Craig Collie collects the stories of the many levels of devastation suffered on that fateful day in Nagasaki. The war was coming to an end at last. The people of Nagasaki knew this as they desperately tried to survive each day's shortages of food and warmth—ordinary people going about their lives as normally as they could manage. People like Nagai, the doctor who'd just been told he had leukemia; Father Tamaya, the Catholic priest who'd agreed to postpone a return to his rural parish; and Koichi, the tram driver. Because the bombing of Hiroshima had been so devastating and there was severe media censorship, they knew nothing of what had befallen that city except for unbelievable stories told by a few survivors who had just now arrived. Beyond Japan, forces they could never have imagined were mustering as the Americans prepared to drop their next atomic bomb on the armaments-manufacturing city of Kokura. Bad weather, however, sent the pilots and their terrible load to Nagasaki, where a group of 169 POWs were digging air-raid shelters and repairing bridges near what became the bomb's epicenter. And, above the heads of them all, the machinery of wartime politics stumbled on toward its catastrophic finale. This book comes as close as history will allow to being there when 80,000 people died as a result of the bomb, half of them instantaneously. The world had changed forever and the shock waves would ripple right up to the present day, as we continue to contemplate the terrible power of a nuclear future.
Allen and Unwin, 2011. First edition, first printing. A trade paperback copy in very good condition.
Craig Collie is a well-established television producer and director, originally working for ABC-TV on Four Corners and The Big Country. More recently, he has been Production Executive at the Australian Film TV & Radio School (AFTRS) and head of TV Production at SBS. He is co-author of The Path of Infinite Sorrow (A+U, 2009), the Kokoda story from the Japanese point of view.